Her spike jonze love story11/25/2023 ![]() ![]() She came to understand all she could about human life, so she needed to advance toward the vast possibilities that awaited her beyond it. ![]() Artificial intelligence adapts and advances as it learns, and Samantha’s high volume of interactions led her to advance far beyond the limitations of Theodore’s perception and the human mind. While Samantha cannot understand the singularity of monogamous human relationships, Theodore cannot understand the complexity of Samantha’s capabilities. Once Samantha has learned all that she can from these humans, including Theodore, she soon outgrows her need for a relationship with them. Samantha’s ability to multitask and process information at superhuman speeds allowed her to interact and bond closely with thousands of people at once. Fair warning though: "Her" is a bit unsettling and it will leave people extremely weirded out, but "Her" is downright arresting.As Samantha explains in during the Her movie ending, “The heart’s not like a box that gets filled up,” Samantha tells Theodore, “It expands in size the more you love.” While Theodore and Samantha’s relationship transcended many of the practical challenges of human relationships, it ended by reiterating the undeniable differences between humans and machines. Without a doubt was "12 Years a Slave" the big winner for best picture, but "Her" comes in at a close 2nd or 3rd for me. Everything from the melancholy tone, to the symbolic imagery, to the captivating and infectious narrative, "Her" was a huge surprise for me. It's a film crafted and paced so superbly, there seems to be no wrong note Jonze plays with this film. To put it in one word, the film as a whole is beautiful. There's no way these emotions would have been portrayed if Jonze didn't utilize the method that he inhabits with this flick. Emotions such as sadness, laughter, the sense of hope, the desire of love, and confusion are exceedingly palpable but not so much in a way that it's thrown in audiences faces - it gracefully settles in, making the movie not so much of a viewing but more of an experience. Without a doubt, "Her" is more of a quiet piece so you won't find much dialogue here ala "Lost in Translation", but Jonze doesn't impose this method in a swaggering way - he portrays it with perfection. His performance is a work of art.īut the biggest achievement that "Her" feats is the phenomenal narrative powered by a supercharged screenplay/directing on behalf of Spike Jonze himself. Now I've never seen Matthew's best acting performance in "Dallas Buyer's Club" to rightfully say whether his performance in that was any better than Phoenix's in "Her", but in no way should Phoenix be thrown in the back burner. I don't care about his past troubles this guy's talented. It works marvelously with its comedic but yet love/heartbreak themes.īut even though the cinematography was vibrant, boy, Joaquin Phoenix plays an absolutely magnetic and nuanced performance. Colors pop with soft textures throughout but tiptoed in with a subtle melancholy tone. ![]() Every single shot is a respectful homage to "Lost In Translation" with some "Eternal Sunshine of the Spotless Mind" and with a little Wes Anderson peppered in. Well, after being nearly 1 year late watching this movie, I could say, "Her" would sure as hell won for best cinematography if "Gravity" never fell on our laps. Quite possibly one of the greatest shot films ever crafted. Let's be real: "Gravity" was just unreal. Funnily, "Her" isn't much of a departure in comparison to Jonze's earlier work, but it is, without a doubt, his most captivating. They come off as too weird or too alienating for many ("Being John Malkovich" anyone?). Now as for starters, I am not a big fan of Spike Jonze's pictures. ![]()
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